Friday, May 18, 2012

You Might As Well Try

And make a song that everyone will love for the sole purpose of going viral....and then go on creating as you please.  I was at a meeting yesterday with an engineer who runs one of the better studios down here and he had asked me the day earlier to bring by the albums I had done.  So when I made it there early and got to take a walk around I was happy to see that the space and gear was situated as I like and I rapped with the friendly studio manager for a bit.  These meetings in no way make me nervous.  I'm not here to impress anyone, just to see if it is suitable for me to start working here and test the waters.  In some regard, all I really need to do is be grateful that they let me come check out the place and talk and act accordingly.  So the engineer sat down at the mixing console and turned on the lights.  We started in on the particulars of music right away and he popped in Guitar For Money for 1 track.  Popped in "Oblivion" and let it just run on the house speakers.  He was impressed and I was not surprised about that but he was holding the CD and just smiling and saying that Martin Kornick's cover reminded him of "Children of Men" and that it was a relief that people were still making rock albums like this and mentioned that the sound was "hip".  He mentioned Norah Jones and a few other names and compared some aspects of their most recent work.  Now the music I'm making in no way sounds like some of the names I heard, to my ears anyway...but what made me happy was that the drumming on the 2nd album had really gotten his ears perked up enough to really consider what we could do with the drums this round with the resources available.  We also spoke of exposure and what that's been like and we all know the deal.  The landscape has eroded so much that bands with music worth listening to, and taste does vary, will undoubtedly go overlooked without constant thought, effort and persistence with regards to exposure.  Similar aspects and effects apply and trickle down to music studios, so the people who love the process of making music are very much all in the same pit of understanding the current state of music in terms of dollars and cents and common sense.  Anyway, we spoke of local radio stations and events we could do with audiences and things that were very constructive and promising.  I'm all about partnerships and grass roots beginnings and I'm not out to be famous, but even getting local gigs and fans takes a lot of exposure these days as venues will not risk a poor turnout in this economy and want to know there will be people there.  You can't blame them either.  It is a joy and honor just to know what I'm doing is heading in the right direction at this stage. Back to the beat.

Leibowitz

leibowitz.bandcamp.com/album/the-beginning-of-the-endless-search-for-oblivion
leibowitz.bandcamp.com/album/guitar-for-money
facebook.com/leibowitzmusic
reverbnation.com/leibowitzmusic

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